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REVIEW: 'Jojo Rabbit' entertains, but is it too much?
REVIEW

REVIEW: 'Jojo Rabbit' entertains, but is it too much?

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Jojo Rabbit

From left, Jojo (Roman Griffin Davis) has dinner with his imaginary friend Adolf (Writer/Director Taika Waititi), and his mother, Rosie (Scarlet Johansson) in "Jojo Rabbit."

It may take time to accurately assess “Jojo Rabbit.”

While the World War II comedy has plenty of charms, there’s still that nagging feeling this could be another “Life is Beautiful.”

That, too, tackled the world of Nazis and children, but didn’t keep its emotions in check.

“Jojo” does and shows how 10-year-old Jojo Betzler (Roman Griffin Davis) maneuvers the murky waters of World War II.

Confiding in an imaginary friend named Adolf (who bears a big resemblance to a certain Nazi), he tries to meet the party’s demands but can’t quite goosestep in the right direction. At a camp (where the very funny Rebel Wilson dishes up her own take on history), he’s taught the finer points of book burning, grenade throwing and killing. When he’s unable to dispense with a rabbit, Jojo’s lot is cast.

At home, he discovers his mom (Scarlett Johansson) is hiding a Jewish woman (Thomasin McKenzie) who displays the same pluck as Anne Frank. That tests his devotion to the party and makes him open for new ideas.

Jojo Rabbit scene

Jojo (Roman Griffin Davis) squares off with Adolf (Taika Waititi) in "Jojo Rabbit."

Director Taika Waititi (who also plays Adolf) isn’t afraid to mess with time. He uses Beatles music to underscore points, lets Sam Rockwell (as a Nazi captain) toy with reality and gives Jojo and his friends wisdom beyond their years.

“Jojo Rabbit” relies on a “Hogan’s Heroes” view of the war to make its laughs land. But it isn’t afraid to go extremely dark to ensure its horrors will resonate.

[The early line: Your first look at this year's best actors and films.]

Johansson charms throughout, assuming a femme fatale guise that makes her much more than just Jojo’s mother. The two have a unique bond and a moment that’ll make you weep openly.

Jojo has good karma with a fellow student (Archie Yates, who’s huggably good) and a scary encounter with a herd of Gestapo goons, led by Stephen Merchant.

While Waititi’s Adolf resembles Charlie Chaplin’s “Great Dictator” in many ways, it’s never more than a gimmick. Pluck him out and “Jojo” might be too chilling for its own good.

The film entertains throughout. It’s just never clear what it wants to be.

Waititi is a talented director (his skills with “Thor: Ragnarok” saved that Avenger from the scrap heap) but “Jojo Rabbit” is a hop, skip and a jump away from being the classic some want it to be.

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Unlike the Hallmark films this seems to resemble, this film spends too much time making Henry Golding seem mysterious. The two stars, Golding and Emilia Clarke, are cute, but both of them have been down this road before and gotten better results.

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